{"title":"扎根爵士舞:前进之路","authors":"E. Keller","doi":"10.1080/01472526.2022.2110634","DOIUrl":null,"url":null,"abstract":"a philosophy that prioritizes an historically informed and culturally responsible way of teaching, choreographing, and performing jazz … [Rooted jazz] is a promise to honor the African American experience and essence of jazz in every way possible. Working in a way that is rooted is explicitly antiracist, evident through movement and music choices, language and pedagogy used in the classroom, and shaping of curriculum. qualities of and they are dance way like a brand but any of deep ties the commodification of sex and racism","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"45 1","pages":"259 - 262"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rooted Jazz Dance: A Path Forward\",\"authors\":\"E. Keller\",\"doi\":\"10.1080/01472526.2022.2110634\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"a philosophy that prioritizes an historically informed and culturally responsible way of teaching, choreographing, and performing jazz … [Rooted jazz] is a promise to honor the African American experience and essence of jazz in every way possible. Working in a way that is rooted is explicitly antiracist, evident through movement and music choices, language and pedagogy used in the classroom, and shaping of curriculum. qualities of and they are dance way like a brand but any of deep ties the commodification of sex and racism\",\"PeriodicalId\":42141,\"journal\":{\"name\":\"DANCE CHRONICLE\",\"volume\":\"45 1\",\"pages\":\"259 - 262\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DANCE CHRONICLE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01472526.2022.2110634\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE CHRONICLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01472526.2022.2110634","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
a philosophy that prioritizes an historically informed and culturally responsible way of teaching, choreographing, and performing jazz … [Rooted jazz] is a promise to honor the African American experience and essence of jazz in every way possible. Working in a way that is rooted is explicitly antiracist, evident through movement and music choices, language and pedagogy used in the classroom, and shaping of curriculum. qualities of and they are dance way like a brand but any of deep ties the commodification of sex and racism
期刊介绍:
For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.