流媒体中残酷的电影：切尔诺贝利和年复一年的变态元素

IF 1.5 Q1 CULTURAL STUDIES

Journal for Cultural Research Pub Date : 2021-04-03 DOI:10.1080/14797585.2021.1937250

C. Fernández-Rodríguez, Luis M. Romero-Rodríguez

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引用次数: 1

摘要

摘要本研究旨在通过分析电视剧《切尔诺贝利》和《岁月》（HBO:2019）中变态色情和残酷电影的元素，诊断残酷电影是如何通过当前的流媒体电视剧融入主流文化的。这是通过设计内容分析表来完成的，该表基于对理论结构的解释，并通过专家判断进行验证。结果诊断出过度琐碎的残忍，证明了观众对图像的不敏感，以及他们对图像的迷恋。从这个意义上说，厌世、娱乐和色情叙事在视听方面日益成功是显而易见的。结论是，不适、趣味、恐怖色情及其各自的声望，被植入了当代流行电视文化中，再现了一种压抑与娱乐之间的关系。

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The cinema of cruelty in streaming: elements of perversity in Chernobyl and years and years

ABSTRACT This study aims to diagnose how the cinema of cruelty has been inserted into mainstream culture through the current streaming series, analysing the elements of the eroticism of perversity and the cinema of cruelty in the series Chernobyl and Years and Years (HBO: 2019). This is done with the design of a content analysis sheet based on the interpretation of theoretical constructs, validated by expert judgement. The results diagnose an excess of trivialised cruelty, evidencing the spectator’s desensitisation to the images, as well as their fascination with them. In this sense, the growing audiovisual success of misanthropic, entertaining, and pornographic narratives is evident. It is concluded that discomfort, fun, horror pornography, and their respective prestige, are installed in contemporary popular television culture, reproducing a relationship between the depressing and the entertainment.

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来源期刊

Journal for Cultural Research CULTURAL STUDIES-

CiteScore

1.40

自引率

0.00%

发文量

期刊介绍： JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.