黑人表现理论化：关系、过程和可能性

IF 0.4 3区文学 0 LITERATURE

STUDIES IN ROMANTICISM Pub Date : 2022-03-01 DOI:10.1353/srm.2022.0008

Y. Khan

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引用次数: 1

摘要

摘要：通过总结那些挑战我们思考想象表演身体和种族表演的新方式的有代表性的批评作品，本文提出了一种以过程为导向的黑人表演理论化方法。本文认为，将表演理解为关系，将表演视为过程，不仅可以扩展我们的表演概念，捕捉其在物质对象和非物质行为中更为消逝的元素的痕迹，还可以将新形式的历史证据结合起来，为我们对黑人跨时空表演的分析提供依据，为解放性批判开辟了新的途径。

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Theorizing the Performance of Blackness: Relations, Processes, and Possibilities

Abstract:Through a summation of representative critical works that challenge us to think of new ways of imagining performing bodies and racial performance, this essay gestures towards a process-oriented approach for theorizing the performance of blackness. The essay argues that understanding performance-as-relation and performance-as-process allows us not only to extend our conception of performance to capture traces of its more evanescent elements in material objects and immaterial behaviors, but also to bring together new forms of historical evidence to give weight to our analyses of the performance of blackness across time and space, opening new avenues for a liberatory critique.

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来源期刊

STUDIES IN ROMANTICISM LITERATURE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.