乔治·克拉姆的《黑天使》与越南战争

IF 0.3 2区艺术学 N/A MUSIC

Contemporary Music Review Pub Date : 2022-01-02 DOI:10.1080/07494467.2022.2033571

Abigail Shupe

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引用次数: 0

摘要

在这篇文章中，我分析了克拉姆的《黑天使》与越南战争的关系。我通过对该作品表演的评论追溯了这种联系的历史，并表明评论家在1975年美国撤军和战争结束后开始将其与越南联系起来。通过与蒂姆·奥布赖恩的《他们携带的东西》（[1990]1998）的比较。纽约：百老汇图书），分析显示听众将《黑天使》的各个方面与越南战争主题联系起来。模糊、不可靠的叙述者、创伤和道德等主题将文本联系在一起。运用Lochhead对音乐事物的概念，以及O'Brien对发生的真相与故事真相的概念，分析将音乐结构问题与小说联系起来，以展示作品如何传达与越南战争有关的存在。

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George Crumb's Black Angels and the Vietnam War

In this essay, I analyze how Crumb's Black Angels relates to the Vietnam War. I trace a history of this association through reviews of the piece's performances and shows that reviewers began connecting it with Vietnam after the American withdrawal and the end of the war in 1975. Through a comparison with Tim O’Brien's The Things They Carried ([1990] 1998. New York: Broadway Books), the analysis shows that listeners thematically connect aspects of Black Angels with the Vietnam War. Themes of blurriness, and unreliable narrator, trauma, and morality connect the texts. Using Lochhead's concept of musical things, and O’Brien's notions of happening-truth vs. story-truth, the analysis relates issues of musical structure to the novel to show how the piece conveys presence related to the Vietnam War.

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.