为蓝天祈祷:中国空气污染的艺术表现

IF 1 4区 社会学 Q2 AREA STUDIES
T. Johnson, Kathinka Fürst
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引用次数: 5

摘要

这篇文章探讨了艺术家们是如何处理北京的空气污染问题的。在北京,糟糕的空气质量已经成为一个严重的公共卫生问题。艺术家们利用各种媒介,包括行为艺术、摄影和绘画来表现烟雾。通过引起媒体和网络的关注,这项工作为空气污染话语的“绿色公共领域”(Yang和Calhoun,2007)做出了相对活跃的贡献。与中国许多依靠向政府官员提出具体要求的抵制相反,艺术表达绕过了当局,转而诉诸公众舆论。艺术家们利用模糊性以新颖的方式描绘空气污染,巧妙地质疑产生和维持空气污染的结构。通过这种方式,艺术家可以挑战大众对烟雾的看法,提高公众意识,从而加强对解决烟雾政策的支持。然而,艺术也可以体现出艺术家和更广泛的公众在面对严重的空气污染时所经历的无力感。因此,艺术既是一种激进主义形式,也是在政治限制性环境中被削弱的能动性的表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Praying for Blue Skies: Artistic Representations of Air Pollution in China
This article examines how artists have engaged with the issue of air pollution in Beijing, where poor air quality has become a serious public health matter. Artists have utilized various mediums including performance art, photography, and painting to represent smog. Through generating media and online attention this work has contributed to a relatively vibrant “green public sphere” (Yang and Calhoun, 2007) of air pollution discourse. In contrast to much resistance in China that relies upon making specific claims to government officials, artistic expression bypasses the authorities and appeals instead to public opinion. Artists utilize ambiguity to portray air pollution in novel ways that subtly question the structures that produce and sustain it. In this way, artists can challenge popular perceptions of smog and raise public awareness, thus intensifying support for policies that tackle smog. Yet art can also embody deep frustration at the powerlessness that artists, and the public more widely, experience when confronted by severe air pollution. Art therefore serves both as a form of activism and as an expression of curtailed agency in a politically restrictive environment.
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来源期刊
Modern China
Modern China AREA STUDIES-
CiteScore
1.70
自引率
10.00%
发文量
26
期刊介绍: Published for over thirty years, Modern China has been an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. Modern China presents scholarship based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions. Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.
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