{"title":"《广场上的圆圈剧院：全面的历史》（Circle in the Square Theatre:A Comprehensive History），作者：希拉·希基·加维（Sheila Hickey Garvey）（评论）","authors":"A. Fletcher","doi":"10.5325/eugeoneirevi.43.1.0095","DOIUrl":null,"url":null,"abstract":"EOR_43_1_06_Book_Reviews.indd Page 95 02/02/22 3:32 AM co-authored Mapping Irish Theatre (with Shaun Richards: Cambridge, 2013). His History of the Theatre in Ireland, 1601–2000 (Cambridge, 2002) has become a standard work. In 2021 Morash curated a series of plays for Dublin’s Abbey Theatre, Unseen Plays, and contributed to Ireland’s entry to the 2020 Venice Bienale. He is a Member of the Royal Irish Academy.","PeriodicalId":40218,"journal":{"name":"Eugene O Neill Review","volume":"43 1","pages":"95 - 99"},"PeriodicalIF":0.4000,"publicationDate":"2022-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Circle in the Square Theatre: A Comprehensive History by Sheila Hickey Garvey (review)\",\"authors\":\"A. Fletcher\",\"doi\":\"10.5325/eugeoneirevi.43.1.0095\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"EOR_43_1_06_Book_Reviews.indd Page 95 02/02/22 3:32 AM co-authored Mapping Irish Theatre (with Shaun Richards: Cambridge, 2013). His History of the Theatre in Ireland, 1601–2000 (Cambridge, 2002) has become a standard work. In 2021 Morash curated a series of plays for Dublin’s Abbey Theatre, Unseen Plays, and contributed to Ireland’s entry to the 2020 Venice Bienale. He is a Member of the Royal Irish Academy.\",\"PeriodicalId\":40218,\"journal\":{\"name\":\"Eugene O Neill Review\",\"volume\":\"43 1\",\"pages\":\"95 - 99\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-02-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eugene O Neill Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/eugeoneirevi.43.1.0095\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eugene O Neill Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/eugeoneirevi.43.1.0095","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
Circle in the Square Theatre: A Comprehensive History by Sheila Hickey Garvey (review)
EOR_43_1_06_Book_Reviews.indd Page 95 02/02/22 3:32 AM co-authored Mapping Irish Theatre (with Shaun Richards: Cambridge, 2013). His History of the Theatre in Ireland, 1601–2000 (Cambridge, 2002) has become a standard work. In 2021 Morash curated a series of plays for Dublin’s Abbey Theatre, Unseen Plays, and contributed to Ireland’s entry to the 2020 Venice Bienale. He is a Member of the Royal Irish Academy.
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