19世纪荷兰戏剧改编自维克多·雨果的《悲惨世界》

Q3 Arts and Humanities
J. Oosterholt
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引用次数: 0

摘要

19世纪荷兰对维克多·雨果的《悲惨世界》的戏剧改编在改编研究领域,在盎格鲁撒克逊国家,甚至在荷兰,拍摄而非戏剧改编是人们关注的焦点。在这篇文章中,对维克多·雨果(Victor Hugo)的《悲惨世界》(Les Misérables)的荷兰戏剧改编进行了个案研究,展示了这种对“逐页”拨款的历史研究可以产生什么效果。19世纪60年代,改编自雨果著名小说的作品在荷兰报纸上引起了很大关注。大多数评论家似乎对《悲惨世界》中的社会批评表示同情。关于这类戏剧改编的批判性辩论对那些对流行文化和精英文化之间的灰色地带感兴趣的学者来说是有启发性的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Negentiende-eeuwse Nederlandse toneelbewerkingen van Victor Hugo’s Les Misérables
Theatrical Adaptations of Victor Hugo’s Les Misérables in 19th-century Netherlands In the field of Adaptation Studies, in Anglo-Saxon countries and even more in the Netherlands, filming and not theatrical adaptation is focus of attention. In this article – a case study on Dutch theatrical adaptations of Victor Hugo’s Les Misérables – is shown what this type of historical research into ‘page-to-stage’ appropriations can yield. In the 1860s adaptations of Hugo’s famous novel received a lot of attention in Dutch newspapers. Most reviewers seem to sympathise with the social criticism, manifested in Les Misérables. The critical debate over this type of theatrical adaptations is enlightening for scholars interested in the grey area between popular and more elitist culture.
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来源期刊
Nederlandse Letterkunde
Nederlandse Letterkunde Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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16
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