我和其他人。抒情诗中的个性表达与交际结构

IF 0.6 0 LITERARY THEORY & CRITICISM
Dieter Burdorf
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引用次数: 9

摘要

摘要:本文讨论了抒情诗中的个性表达和交际结构:诗中谁在说话?说话的人或被谈论的人的地位是什么?是作者自己在说话,还是其他人——一个独立的存在,完全不同,与文本中发展的主题分离?诗中和诗中称呼谁?很明显,刺激(情绪)、Erlebnis(经验)和lyrisches Ich(抒情)的传统概念应该被搁置一边,抒情传播的性质应该被重新确定。为此,有必要对诗歌中人称代词的具体用法进行精确的检查,特别是代词“我”、“你”和“我们”。模糊的“抒情的I”应该被术语“清晰的I”所取代。诗歌文本作为一个整体是由一个上级实体——文本主体(textsubjjekt)构建的。诗中每一个说话的实体都有一个对应的对象。因此,分析诗歌中的交际结构意味着首先要寻找一个由文本构成的收件人。只有在第二步中,我们才能弄清楚地址是否指的是目标读者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The I and the Others. Articulations of Personality and Communication Structures in the Lyric
Abstract The paper discusses articulations of personality and communication structures in the lyric: who is speaking in a poem? What is the status of the person who speaks, or the one who is spoken about? Is it the author himself who is speaking, or is it someone else – an autonomous being, completely different and detached from the subject developed in the text? Who is addressed in and by a poem? It is made clear that conventional concepts of Stimmung (mood), Erlebnis (experience), and lyrisches Ich (the ›lyric I‹) should be set aside and the nature of lyric communication should be redetermined. For this purpose, a precise examination of the specific use of personal pronouns in poems is necessary, especially of the pronouns ›I‹, ›you‹ and ›we‹. The indistinct ›lyric I‹ should be substituted by the term ›articulated I‹. The poetic text as a whole is being structured by a superordinate entity, the Textsubjekt (›textual subject‹). Every speaking entity in a poem has a counterpart being addressed by it. Analyzing communication structures in poetry thus means first of all looking for an addressee who is constituted by the text. Only in a second step should we figure out if the address refers to the intended reader.
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来源期刊
Journal of Literary Theory
Journal of Literary Theory LITERARY THEORY & CRITICISM-
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