没有米南德的雅典还算什么?喜剧诗人、交际花与阿尔西弗伦书信中的空间生产

IF 0.2 3区历史学 N/A CLASSICS

ARETHUSA Pub Date : 2022-03-01 DOI:10.1353/are.2022.0008

A. Peterson

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引用次数: 0

摘要

摘要:《阿尔西弗伦书信》中的空间描述在强化典藏中雅典中心主义观点的同时，也传达了某种意义。本文考虑了《书信》中空间的产生，以及阿尔西弗伦如何使用交际花的形象来扩大收藏的视角，以包括更广阔的希腊世界。尽管阿尔西弗伦笔下的交际花与雅典有着密切的联系，但第四卷中有几个通信的例子被标记为跨越了阿提卡的边界。此外，对米南德和甘油之间书信交流的空间阅读揭示了雅典和亚历山大作为竞争文化中心之间的潜在紧张关系。

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What is Athens without Menander? The Comic Poet, the Courtesan, and the Production of Space in Alciphron's Letters

Abstract:Spatial descriptions in Alciphron's Letters convey meaning even as they reinforce the Athenocentric view of the collection. This article considers the production of space in the Letters and how Alciphron uses the figure of the courtesan to expand the perspective of the collection to include the broader Hellenistic world. Although Alciphron's courtesans are closely tied to Athens, Book 4 contains several examples of correspondence that are marked as crossing the boundaries of Attica. In addition, a spatial reading of the epistolary exchange between Menander and Glycera reveals a latent tension in the collection between Athens and Alexandria as competing cultural centers.

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来源期刊

ARETHUSA CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.