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{"title":"Corroding Geometrys:Elsa Gramcko,《汽车性与委内瑞拉现代性的悖论》,1955–1965","authors":"Devon Zimmerman","doi":"10.1353/mod.2023.a902607","DOIUrl":null,"url":null,"abstract":"man is the Associate Curator of Modern and Contemporary American Art at the Ogunquit Museum of American Art in Maine. He cocurated the exhibition, Deconstructing Power: W. E. B. Du Bois at the 1900 World’s Fair, at Cooper Hewitt, Smithsonian Design Museum and his research is currently focused on transatlantic networks of fueling modernism in art and design. modernism / modernity volume thirty, number one, pp 149–176. © 2023","PeriodicalId":18699,"journal":{"name":"Modernism/modernity","volume":"30 1","pages":"149 - 176"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Corroding Geometries: Elsa Gramcko, Automobility, and the Paradoxes of Venezuelan Modernity, 1955–1965\",\"authors\":\"Devon Zimmerman\",\"doi\":\"10.1353/mod.2023.a902607\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"man is the Associate Curator of Modern and Contemporary American Art at the Ogunquit Museum of American Art in Maine. He cocurated the exhibition, Deconstructing Power: W. E. B. Du Bois at the 1900 World’s Fair, at Cooper Hewitt, Smithsonian Design Museum and his research is currently focused on transatlantic networks of fueling modernism in art and design. modernism / modernity volume thirty, number one, pp 149–176. © 2023\",\"PeriodicalId\":18699,\"journal\":{\"name\":\"Modernism/modernity\",\"volume\":\"30 1\",\"pages\":\"149 - 176\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernism/modernity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mod.2023.a902607\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernism/modernity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mod.2023.a902607","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Corroding Geometries: Elsa Gramcko, Automobility, and the Paradoxes of Venezuelan Modernity, 1955–1965
man is the Associate Curator of Modern and Contemporary American Art at the Ogunquit Museum of American Art in Maine. He cocurated the exhibition, Deconstructing Power: W. E. B. Du Bois at the 1900 World’s Fair, at Cooper Hewitt, Smithsonian Design Museum and his research is currently focused on transatlantic networks of fueling modernism in art and design. modernism / modernity volume thirty, number one, pp 149–176. © 2023