一组水下图像的炼金术

IF 0.4 4区 社会学 Q4 ENVIRONMENTAL STUDIES
D. James
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引用次数: 0

摘要

通过生态电影的镜头,一组非传统的卡里斯福特珊瑚礁的照片,佛罗里达珊瑚礁地带的七个标志性珊瑚礁之一,代表了一些极端的延时系列。当佛罗里达珊瑚礁区正在进行世界上最大规模的珊瑚礁修复时,由于缺乏有凝聚力的水下文献记录,推测使我们能够在信息不完整的情况下在受损的地方寻找模式,并实践一种多物种讲述我们遭遇的形式。这些照片分别拍摄于1966年、2003年、2014年和2019年,它们是人类中心主义背景下我们与大堡礁关系变化的文化时刻的证据,是一种另类环境观的出现,也是局部社会变革的基线。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Alchemy of a Corpus of Underwater Images
Through an ecocinema lens, an unconventional corpus of photographs of Carysfort Reef, one of seven iconic coral reefs along the Florida Reef Tract, represents something of an extreme time-lapse series. In the absence of a cohesive underwater documentary record at the time when the Florida Reef Tract is undergoing the most extensive reef restoration in the world, speculation allows us to search for patterns in damaged places with incomplete information and practice a form of multispecies storytelling of our encounters. Taken in 1966, 2003, 2014, and 2019, these images are evidence of cultural moments in our changing relationship with this reef in the context of anthropocentrism, the emergence of an alternative environment spectatorship of awareness, and a baseline for localized social change.
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来源期刊
Nature + Culture
Nature + Culture ENVIRONMENTAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
16
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