Monica Grini
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引用次数: 1

摘要

这篇文章的中心是Lars Hætta在被囚禁在Akershus要塞(1856-1867)时制作的微型二元雕塑,并被克里斯蒂安尼亚(奥斯陆)的民族博物馆收藏。该系列展示了在不对称权力关系主导下创造和获得的人工制品的问题。在强调Hætta Sámi知识和艺术品本身的重要性的同时,这篇文章也对这些微缩作品的艰难的社会政治和历史背景进行了批判性的阐释。在监狱的背景下,微缩模型被解释为授权工具,允许Hætta执行重要的记忆工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kunsten å vende hjem: Lars Hættas miniatyrduodji
This article centres on Lars Hætta’s miniature duodji , made while Hætta was imprisoned at Akershus Fortress (1856–1867) and collected by the Ethnographic Museum in Christiania (Oslo). The collection demonstrates problematic issues concerning artefacts created and acquired in circumstances dominated by asymmetric power relations. While emphasising the importance of Hætta’s Sámi knowledge and the agency of the artefacts themselves, the article also sheds critical light on the difficult sociopolitical and historical background of the miniatures. In the context of the prison, the miniatures are interpreted as empowering tools, allowing Hætta to perform important memory-work.
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