舞蹈档案中的躯体主义者:通过躯体主义探索杰罗姆·罗宾斯的日记

IF 0.2 0 DANCE
Hiie Saumaa
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引用次数: 0

摘要

在这篇短文中,我强调了如何将在躯体化课程中获得的躯体化技能应用于其他生活环境的问题。我以学术工作为例:我展示了我如何在编舞家杰罗姆·罗宾斯(1918-198)的档案中进行研究时使用身体方法,这些档案存放在林肯中心纽约公共表演艺术图书馆的杰罗姆·罗宾逊舞蹈部。我建议我们需要更多地关注学生和从业者如何将身体意识带入他们的各种生活场景和任务中的问题。我建议,如果我们学会如何将我们的身体知识转移到不同的生活环境中,我们的生活可以变得更加具体化,我们可以利用来自身体自我的知识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Somaticist in the dance archives: Exploring Jerome Robbins’ diaries through somatics
In this short piece, I highlight the question of how to bring somatics skills acquired in a somatics class to bear upon other life contexts. I use the example of scholarly work: I show how I use somatic methods as I conduct research in the archives of the choreographer Jerome Robbins (1918–98), housed at the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts at Lincoln Center. I suggest that we need to pay more attention to the question of how students and practitioners could bring physical awareness into their various life scenarios and tasks. I propose that if we learn how to transfer our somatic knowledge into different life contexts, our lives can become more embodied and we can tap into the knowledge that emanates from the physical self.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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