{"title":"透过读者的镜子。奥利维亚·曼宁的巴尔干三部曲","authors":"C. Goşa","doi":"10.1515/rjes-2019-0007","DOIUrl":null,"url":null,"abstract":"Abstract The paper explores the way in which Romanian readers, experts in literary studies, react to how Romania, Romanians are perceived by British foreigners travelling to Romania for the first time as instantiated in Olivia Manning’s The Balkan Trilogy. The trilogy is based on the author’s experience of living in Bucharest during WW II as wife of a British Council officer. The theoretical frame underpinning the study draws on reader-oriented theory and the role of stereotypes which are viewed as culturally and historically rooted.","PeriodicalId":30681,"journal":{"name":"Romanian Journal of English Studies","volume":"16 1","pages":"54 - 64"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Through a Reader Looking Glass. Olivia Manning’s the Balkan Trilogy\",\"authors\":\"C. Goşa\",\"doi\":\"10.1515/rjes-2019-0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The paper explores the way in which Romanian readers, experts in literary studies, react to how Romania, Romanians are perceived by British foreigners travelling to Romania for the first time as instantiated in Olivia Manning’s The Balkan Trilogy. The trilogy is based on the author’s experience of living in Bucharest during WW II as wife of a British Council officer. The theoretical frame underpinning the study draws on reader-oriented theory and the role of stereotypes which are viewed as culturally and historically rooted.\",\"PeriodicalId\":30681,\"journal\":{\"name\":\"Romanian Journal of English Studies\",\"volume\":\"16 1\",\"pages\":\"54 - 64\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanian Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/rjes-2019-0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanian Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/rjes-2019-0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Through a Reader Looking Glass. Olivia Manning’s the Balkan Trilogy
Abstract The paper explores the way in which Romanian readers, experts in literary studies, react to how Romania, Romanians are perceived by British foreigners travelling to Romania for the first time as instantiated in Olivia Manning’s The Balkan Trilogy. The trilogy is based on the author’s experience of living in Bucharest during WW II as wife of a British Council officer. The theoretical frame underpinning the study draws on reader-oriented theory and the role of stereotypes which are viewed as culturally and historically rooted.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
