亲妈戏剧:亲妈与导演在当代排练室的创造性合作

IF 0.6 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Katy Maudlin, R. Dennis, Kate Hunter
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引用次数: 0

摘要

摘要本文考虑了当代戏剧创作中当前戏剧话语的概念多样性,并添加了一种具体的母性戏剧。这篇文章采访了六位杰出的女性导演,她们都是母亲,介绍了关键的育儿时刻以及她们在排练中的表现。这篇文章强调了产后导演的物质知识,以及作为母亲的导演对实践和工作模式的各种调整。我们将母性戏剧作为一种政治行为来呈现:一个破坏和扰乱劳动分工、社会结构和普遍接受的身体观念的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms
ABSTRACT This essay considers the conceptual diversity in the current discourse on dramaturgy within contemporary theater making and adds an embodied maternal dramaturgy. Featuring interviews with six prominent women directors who are mothers, the essay presents key mothering moments and their presence in rehearsal practice. The essay highlights the corporeal knowledge of the postpartum director, and the kinds of adjustments to practices and work models that emerge from the needs of the director as mother. We present a mothering dramaturgy as a political act: a process that disrupts and unsettles divisions of labor, social constructs, and commonly accepted notions of body.
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来源期刊
Text and Performance Quarterly
Text and Performance Quarterly HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
60.00%
发文量
60
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