风景水粉画

IF 0.7 4区 管理学 Q3 INFORMATION SCIENCE & LIBRARY SCIENCE
W. Schwahn
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引用次数: 0

摘要

摘要本文概述了水粉画的发展历程——从佛兰德水粉画、四旬斋布画、微缩画、“豪迈”、“乡土”风格的山水水粉画,到阿尔卑斯风景的风景veduta。“水粉”这个词的用法常常令人困惑,我们将讨论并追溯其历史,从而对我们今天的概念有一个清晰的定义。这些发现是基于对艺术技术来源的研究,以及对各种不同艺术家的水粉绘画的观察,包括汉斯·博尔、马可·利玛窦、詹姆斯·斯图尔特和约翰·路德维希·阿伯利。作者自己的水粉画的经验也将馈送到一个技术的写照,在过去经常被贬低,在艺术技术研究中代表性不足。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Landscape Gouache
Abstract This article gives an overview over the development of gouache painting – from Flemish Waterverfschilderij, Lenten cloths (tüchlein paintings), miniature paintings, and landscape gouache in “heroic” and “rustic” styles to the landscape veduta of Alpine sceneries. The – often confusing – usage of the term gouache will be discussed and traced back in history, leading to a clear definition of our present-day conception. The findings are based on the study of art technological sources as well as observations of gouache paintings from a variety of different artists including Hans Bol, Marco Ricci, James Stuart, and Johann Ludwig Aberli. The author’s own experiences with gouache painting will also feed into the portrayal of a technique which in the past has often been disparaged and is underrepresented in the art technological research.
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
15
期刊介绍: Restaurator is the only international periodical specializing exclusively in the conservation of library and archive materials. Articles examine the many important aspects of this subject area, such as technology, practical experience and organization. They also focus on scientific basics: Many articles deal with the development of new preservation techniques and the improvement and better understanding of established methods. The articles are written in English with summaries in English, French and German. By reading Restaurator regularly, librarians, archivists and restorers can keep up to date with the latest research and developments. The editorial committee is made up of experts from well-known institutions and organizations from all over the world
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