复仇者购买者的特质&从黑人兄弟的玛丽时代零售看

IF 0.1 0 ART
Kerttu Palginõmm
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引用次数: 0

摘要

这篇文章的重点是塔林(Reval)的黑人兄弟会圣玛丽祭坛画,该祭坛画由圣露西传说的布鲁日大师于1493年抵达中世纪晚期的城市。这幅祭坛画因其奢华的细节网络而引人注目,如意大利的丝绸、天鹅绒和金布,西班牙的陶瓷,荷兰的挂毯和安纳托利亚的东方地毯。早期的荷兰绘画以对日常和奢侈品的细致、纹理和光线敏感的渲染而闻名,扬·凡·艾克的作品就是最好的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DIE ATTRIBUTE DER REVALER KAUFLEUTE – EIN BLICK AUF DAS RETABEL DES MARIENALTARES DER BRUDERSCHAFT DER SCHWARZENHÄUPTER
The article focuses on the Tallinn (Reval) altarpiece of St. Mary's altar ofthe Brotherhood of the Blackheads, attributed to the Bruges Master ofthe Legend of St. Lucy, which arrived in the late medieval city in 1493.The altarpiece is noteworthy for its very dense network of luxuriousdetails like silk, velvet and gold cloth from Italy, ceramics from Spain,tapestries from Netherlands and an oriental carpet from Anatolia. Early Netherlandish painting is notable for the very detailed, texture andlight-sensitive rendering of everyday and luxury objects, from whichthe works of Jan van Eyck are the best examples.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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