身体的情感建构:阿里斯托芬的《布鲁托》中的老女人和她年轻的情人。959-1096)

C. Fernández
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引用次数: 1

摘要

普鲁图斯恢复视力并随后重新分配财富后,一位可能是赫泰拉人的老妇人突然被她的年轻情人抛弃,而她的年轻情人现在在经济上有偿付能力,不再需要她了(Aristophanes’Plutus,ll.9959-1096)。她的抱怨在喜剧英雄克里米卢斯面前表达,也在年轻人面前表达,他走近英雄的家,表达对上帝的感激之情,这就形成了一个情节性的场景,专门展示了她腐烂身体的物质不稳定。在这种通常针对老年人和丑陋人的喜剧性诋毁背后,也非常微妙地暴露了各种形式的身体恐惧,本文试图对此进行探索。在证明作者对身体特别感兴趣的几个方面中,我们提到了身体的情感和敏感结构,肢体语言的动力学,非物质性的生理印记(如快乐或痛苦)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Construcción afectiva de la corporalidad: la vieja y su joven amante en Pluto de Aristófanes (vv. 959-1096)
After Plutus’s recovery of his eyesight and the subsequent redistribution of wealth, an old woman, probably a hetaira, is suddenly abandoned by her young lover, who is now financially solvent and in no more need of her (Aristophanes’ Plutus, ll. 959-1096). The expression of her complaints —in front of Chremylus, the comic hero, and also of the young man, who approaches the hero’s house in order to express his gratitude to the god— results in an episodic scene devoted to the exposition of material precariousness of her decayed body. Behind this comic denigration, usual against old and ugly persons, there are also exposed various forms of body apprehension very subtly, on which this paper intends to explore. We refer to the affective and sensitive construction of corporality, to the dynamics of body language, to the physiological imprint of immateriality (such as pleasure or pain), among several aspects that prove the author’s special interest in the body.
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