晚清中国菩萨的地方化:Kṣitigarbha、九华山及其珍贵卷轴中的联系

IF 0.5 0 ASIAN STUDIES
Nanjiang Ouyang
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引用次数: 0

摘要

Abstract:This paper examines the texts and ritual performances of three typical Kṣitigarbha (Dizang 地藏) or Maudgalyāyana (Mulian 目連) precious scrolls (baojuan 寶卷) in late imperial China, with an emphasis on locality. By examining the identification of Jin Dizang 金地藏 as Dizang Bodhisattva's emanation on Mt. Jiuhua 九華山, Mt. Jiuhua's function as an essential geographical setting in texts, and the ritual contexts for their performances, this paper demonstrates that Mt. Jiuhua's rising fame is intricately reflected in Dizang or Mulian scrolls. Instead of reading these scrolls through the lens of a particular religious group, this paper adopts a local perspective to reveal the ways in which precious scrolls became important venues for representing sacred geography. Thus, this paper works as a case study of the confluences of religious history and vernacular literature.摘要:本文以地方性為中心檢視了明清時期三種典型的地藏或目連寶卷的文本及儀式表演。通過考察宝卷中地藏菩薩在九華山的化身金地藏、九華山作为不可或缺的地理要素,以及演出这些寶卷的儀式背景,本文表明地藏或目連寶卷以曲折的形式反映了九華山的重要性。本文試圖避免僅從特定宗教傳統的角度來解讀這些寶卷,而是採取了地方視角揭示出寶卷如何成為表達神聖地理的重要方式。由此,本文可视作結合宗教史和民間文學的個案研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Localizing a Bodhisattva in Late Imperial China: Kṣitigarbha, Mt. Jiuhua, and Their Connections in Precious Scrolls
Abstract:This paper examines the texts and ritual performances of three typical Kṣitigarbha (Dizang 地藏) or Maudgalyāyana (Mulian 目連) precious scrolls (baojuan 寶卷) in late imperial China, with an emphasis on locality. By examining the identification of Jin Dizang 金地藏 as Dizang Bodhisattva's emanation on Mt. Jiuhua 九華山, Mt. Jiuhua's function as an essential geographical setting in texts, and the ritual contexts for their performances, this paper demonstrates that Mt. Jiuhua's rising fame is intricately reflected in Dizang or Mulian scrolls. Instead of reading these scrolls through the lens of a particular religious group, this paper adopts a local perspective to reveal the ways in which precious scrolls became important venues for representing sacred geography. Thus, this paper works as a case study of the confluences of religious history and vernacular literature.摘要:本文以地方性為中心檢視了明清時期三種典型的地藏或目連寶卷的文本及儀式表演。通過考察宝卷中地藏菩薩在九華山的化身金地藏、九華山作为不可或缺的地理要素,以及演出这些寶卷的儀式背景,本文表明地藏或目連寶卷以曲折的形式反映了九華山的重要性。本文試圖避免僅從特定宗教傳統的角度來解讀這些寶卷,而是採取了地方視角揭示出寶卷如何成為表達神聖地理的重要方式。由此,本文可视作結合宗教史和民間文學的個案研究。
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来源期刊
CiteScore
1.10
自引率
11.10%
发文量
0
期刊介绍: The Journal of Chinese Religions is an international, peer-reviewed journal, published under the auspices of the Society for the Study of Chinese Religions (SSCR). Since its founding, the Journal has provided a forum for studies in Chinese religions from a great variety of disciplinary perspectives, including religious studies, philology, history, art history, anthropology, sociology, political science, archaeology, and literary studies. The Journal welcomes original research articles, shorter research notes, essays, and field reports on all aspects of Chinese religions in all historical periods. All submissions need to undergo double-blind peer review before they can be accepted for publication.
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