东欧后共产主义音乐剧从自我殖民到征服

IF 0.2 0 FILM, RADIO, TELEVISION
E. Mazierska
{"title":"东欧后共产主义音乐剧从自我殖民到征服","authors":"E. Mazierska","doi":"10.1080/17411548.2022.2031806","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines four Eastern European musicals made during the period of postcommunism, but presenting life under state socialism, Czech Šakali leta (Big Beat, 1993), directed by Jan Hřebejk, Hungarian Made in Hungaria (2009), directed by Gergely Fonyó, and two Polish films, Córki dancingu (The Lure, 2015), directed by Agnieszka Smoczyńska and Zimna wojna (Cold War, 2018), directed by Paweł Pawlikowski, from the perspective of their attitude to both western and their own culture and popular music. The argument is that each film assesses this culture differently and this assessment can be seen as a reflection of the period when these films were made and which they depict, the aspect of Western culture they focus on, as well as the position of indigenous popular music in the communist period. An additional reason to put these films together is that they use the trope of somebody returning to his native country from the real or imaginary West. The piece draws on the history of Eastern Europe and its popular music and the concept of self-colonisation.","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From self-colonisation to conquest in Eastern European postcommunist musicals\",\"authors\":\"E. Mazierska\",\"doi\":\"10.1080/17411548.2022.2031806\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article examines four Eastern European musicals made during the period of postcommunism, but presenting life under state socialism, Czech Šakali leta (Big Beat, 1993), directed by Jan Hřebejk, Hungarian Made in Hungaria (2009), directed by Gergely Fonyó, and two Polish films, Córki dancingu (The Lure, 2015), directed by Agnieszka Smoczyńska and Zimna wojna (Cold War, 2018), directed by Paweł Pawlikowski, from the perspective of their attitude to both western and their own culture and popular music. The argument is that each film assesses this culture differently and this assessment can be seen as a reflection of the period when these films were made and which they depict, the aspect of Western culture they focus on, as well as the position of indigenous popular music in the communist period. An additional reason to put these films together is that they use the trope of somebody returning to his native country from the real or imaginary West. The piece draws on the history of Eastern Europe and its popular music and the concept of self-colonisation.\",\"PeriodicalId\":42089,\"journal\":{\"name\":\"Studies in European Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-02-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in European Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17411548.2022.2031806\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in European Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411548.2022.2031806","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

摘要

本文章由计算机程序翻译,如有差异,请以英文原文为准。
From self-colonisation to conquest in Eastern European postcommunist musicals
ABSTRACT This article examines four Eastern European musicals made during the period of postcommunism, but presenting life under state socialism, Czech Šakali leta (Big Beat, 1993), directed by Jan Hřebejk, Hungarian Made in Hungaria (2009), directed by Gergely Fonyó, and two Polish films, Córki dancingu (The Lure, 2015), directed by Agnieszka Smoczyńska and Zimna wojna (Cold War, 2018), directed by Paweł Pawlikowski, from the perspective of their attitude to both western and their own culture and popular music. The argument is that each film assesses this culture differently and this assessment can be seen as a reflection of the period when these films were made and which they depict, the aspect of Western culture they focus on, as well as the position of indigenous popular music in the communist period. An additional reason to put these films together is that they use the trope of somebody returning to his native country from the real or imaginary West. The piece draws on the history of Eastern Europe and its popular music and the concept of self-colonisation.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Studies in European Cinema
Studies in European Cinema FILM, RADIO, TELEVISION-
CiteScore
0.80
自引率
0.00%
发文量
42
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信