Slamet Subiyantoro
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引用次数: 0

摘要

本研究旨在从爪哇文化结构主义的角度,探讨《Wayang Kulit Purwa》中平衡的美学价值。这种类型的研究是描述性定性的,数据来源来自线人、地点/事件和文件/档案。本研究以骑士、巨人、女神、公务员等形象的大阳普瓦为研究对象,采用有目的的抽样方法选取。采用深度访谈、参与式观察和文献分析等方法收集数据。数据分析使用交互式技术与数据简化程序,数据显示和数据验证。研究结果表明,Wayang Kulit Purwa是真实人类生活的写照。木偶人物有自己的性格,一般由善良、邪恶、温柔和简单的性格组成。上帝创造的人类不是一个人,而是有各种各样的性格。人物、特征和其他结构往往是对立的,但并没有试图相互否定,而是相互完善。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Estetika Keseimbangan dalam Wayang Kulit Purwa: Kajian Strukturalisme Budaya Jawa
The purpose of this study was to examine the aesthetic value of balance in Wayang Kulit Purwa from the perspective of Javanese cultural structuralism. This type of research is descriptive qualitative with data sources from informants, places/events, and documents/archives. The object of this research is Wayang Purwa with the profile of knight, giant, goddess, and civil servant who were selected by purposive sampling technique. Data were collected by using in-depth interviews, participatory observation, and document analysis. Data were analyzed using interactive techniques with data reduction procedures, data display and data verification. The result of the research shows that the Wayang Kulit Purwa is a picture of real human life. The puppet characters have their own characters which generally consist of good, evil, gentle, and simple characters. Humans created by God are not the same but with a variety of characters. The characters, characteristics, and other structures tend to be opposite, however, there is no attempt to negate each other, instead they complete each other.
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