争议叙事的历史:加拿大国家电影局对第二次世界大战期间日裔加拿大人拘留的演变电影处理(1945-2018)

Q3 Arts and Humanities
Anglica Pub Date : 2021-09-01 DOI:10.7311/0860-5734.30.3.05
George Melnyk
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引用次数: 0

摘要

加拿大国家电影委员会(NFB)以其纪录片和动画闻名于世。这篇文章探讨了NFB如何处理一个特定的话题——二战期间日裔加拿大人的拘留。通过分析NFB在1945年至2018年间制作的电影,本研究试图了解其关于拘留的叙述在四分之三个世纪里是如何以及为什么发生了巨大变化的。这项研究涉及六部NFB电影:《日本后裔》(1945年)、《异形敌人》(1975年)、“Minoru:流亡记忆”(1992年)、。它借鉴了殖民凝视和霸权的后殖民概念,以及权力痕迹和话语的后结构主义概念,探讨了NFB电影文化的演变,并得出结论,NFB的电影遗产与加拿大关于这一创伤性历史侵犯人权行为的不断变化的公共话语相类似。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A History of Contested Narratives: The National Film Board of Canada’s Evolving Cinematic Treatment (1945–2018) of the Internment of Japanese Canadians during World War Two
The National Film Board of Canada (NFB) is world-renown for its documen- taries and animations. This article examines how the NFB dealt with one specific topic – the internment of Japanese Canadians during World War Two. By analyzing the films produced by the NFB between 1945 and 2018, this study seeks to understand how and why its narratives of the internment changed dramatically over three-quarters of a century. The study deals with six NFB films: Of Japanese Descent (1945), Enemy Alien (1975), Minoru: Memory of Exile (1992), Freedom Has a Price (1994), Sleeping Tigers: The Asahi Baseball Story (2003), and East of the Rockies (2018). Drawing on the postcolonial concepts of the colonizing gaze and hegemony, as well as poststructuralist concepts of the trace and discourses of power, it probes the evolution of the NFB’s cinematic culture and concludes that the NFB’s film legacy parallels a changing public discourse in Canada on this traumatic historical violation of human rights.
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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