Q3 Arts and Humanities
Bojana Maksimović
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引用次数: 0

摘要

本文对易卜生的《鬼》(1881)和曹禺的《雷雨》(1934)作了比较分析。除了其他多重相似之处外,两部作品都是家庭剧,描绘了社会大动荡时期富裕显赫家庭的衰落和堕落。本文以上述两部剧作对家庭和婚姻的刻画为重点,在隐藏过去黑暗秘密的基础上,通过研究两部剧作的中心人物及其相互关系,来揭示两部剧作之间的相互关系。本文的一个基本假设是,这些戏剧中的家庭被描绘成一个压抑的机构,它依赖于一个社会的监管机制,这个社会试图根据一个特定的等级制度来安排它,在这个制度中,每个人都被赋予了特定的角色。因此,人物之间的关系在这里是通过他们的家庭角色的棱镜来看待的。特别关注的是这些戏剧中妻子和儿子的性格,他们是基于父权价值观的社会制度的最大受害者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SLIKA PORODICE U IBZENOVOJ DRAMI AVETI I CAO JUEVOJ DRAMI OLUJA
This paper deals with comparative analysis of Ibsen’s Ghosts (1881) and Cao Yu’s Thunderstorm (1934). In addition to other multiple similarities, both works are family plays depicting the fall and degradation of wealthy and prominent families in the time of great social turmoil. Focusing on the portrayal of family and marriage in the aforementioned plays, this paper aims to shed light on the interrelations between these two works by studying central characters and their mutual relationships based on hiding the dark secrets of the past. One of the basic assumptions of this paper is that the family in these dramas is portrayed as a repressive institution that rests on the regulatory mechanisms of a society that seeks to arrange it according to a particular hierarchical scheme where everyone is given a certain role. Consequently, relations between characters are here viewed through the prism of their family roles. Special attention is devoted to the study of the characters of wives and sons who are in these plays the greatest victims of the social systems based on patriarchal values.
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来源期刊
Komunikacija i Kultura Online
Komunikacija i Kultura Online Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
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0
审稿时长
8 weeks
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