尼日利亚起义和革命的电影转换:阿拉塞的《在我的国家》和《在非洲某处》中抗议的成败

IF 1.5 Q2 COMMUNICATION
Olivia Elakeche Idoko, Peter Ogohi Salifu
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引用次数: 0

摘要

摘要在尼日利亚,抗议活动已成为谴责不良治理和推动社会政治要求的热门手段。然而,对抗议者的袭击和致残,据称流氓劫持抗议媒体,以及未透露姓名的安全人员逮捕抗议者,使人们对抗议媒体在实现期望的社会政治变革方面的效力产生了怀疑。本文通过悲伤理论和马克思主义来理解抗议行动的动机,分析了引发抗议的社会分层和剥削,以及阿拉斯的《在我的国家》(2017)和《在非洲的某个地方》(2011)中所代表的公民在面对抗议的致命反对时的命运。我们认为,通过抗议和反抗争取善政的斗争需要爱国主义、任性的精神、牺牲和勇气。建议充分尊重法治以及公民和平集会和抗议的权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Filmic transposition of revolt and revolution in Nigeria: success or failure of protest in Arase’s In my Country and Somewhere in Africa
ABSTRACT Protest actions have become popular resorts to decry bad governance and press on socio-political demands in Nigeria. However, the attack and maiming of protesters, the hijack of the protest medium allegedly by hoodlums, and the arrest of protesters by unnamed security agents have introduced doubts as to the potency of the protest medium in effecting desired socio-political change. Understanding the motivations for protest actions through the Grievance theory and Leaning on Marxism, this article analyzes the social stratification and exploitation that triggers protests and the fate of the citizenry in the face of lethal opposition to protests as represented in Arase’s In my Country (2017) and Somewhere in Africa (2011). We submit that the struggle for good governance through protest and revolt requires patriotism, willful spirit, sacrifice, and courage. Optimal regard for the rule of law and the rights of citizens to peaceful assembly and protest is recommended.
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
自引率
0.00%
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15
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