从非典型到典型?艺术作品研究与工作社会学的相关性

Q4 Social Sciences

Sociologia del Lavoro Pub Date : 2020-08-01 DOI:10.3280/sl2020-157004

Pierre Bataille, S. Bertolini, Clementina Casula, Marc Perrenoud

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引用次数: 2

摘要

在现代工业社会中，艺术作品主要是通过其相对于标准生产作品的非典型特征来定义的;然而，在后工业社会中，它越来越被认为是一个新的“创意阶层”的典范，包括各种知识和创意部门的工人。本文讨论了这一悖论，并提供了社会学对艺术作品和专业研究的关键贡献样本，有助于揭示隐藏在创意经济中艺术作品所谓的新意义背后的意识形态偏见。因此，它介绍并讨论了在特刊中收集的文章，将它们与当代社会工作性质的持续变化联系起来。

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From atypical to paradigmatic? The relevance of the study of artistic work for the sociology of work

Artistic work has been mainly defined in modern industrial societies by its atypical features vis à vis standard productive work; in post-industrial societies, however, it becomes increasingly considered as paradigmatic of a new "creative class", including workers within a variety of knowledge and creative sectors. The article discusses this paradox offering a sample of key contributions offered by sociology to the study of artistic work and professions, useful to uncover the ideological bias hidden behind the supposedly new significance of artistic work within creative economies. It thus introduces and discusses the essays collected in the special issue linking them to the ongoing changes on the nature of work in contemporary societies.

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来源期刊

Sociologia del Lavoro Social Sciences-Sociology and Political Science

CiteScore

0.60

自引率

0.00%

发文量