{"title":"艺术家聚光灯:对Sylvia Magogo Glasser作品的致敬:舞者、舞蹈教育家、编舞家、社会活动家和远见者","authors":"V. Speiser","doi":"10.15212/caet/2023/9/2","DOIUrl":null,"url":null,"abstract":"It is a great honor to offer this article as a tribute to the enduring impact of Sylvia Glasser’s breakthrough accomplishments in promoting dance education and performance in the South African context. This article is based upon interviews with Sylvia, who currently lives in Sydney, Australia, as well as some of her colleagues and former students. In addition, it draws upon writings, websites, and articles that describe her work. I am struck by the humility of this extraordinary and numinous person who has influenced several generations of performers, students, educators, and dancers. She has challenged and broken down stereotypes and barriers during the apartheid years in South Africa and has irrevocably changed the landscape of South African dance with her introduction of the methodology of Afro-Fusion into the dance world beginning in the late 1970s. As the founder of the Moving into Dance Mophatong (MID) Training Program and Dance Company, Sylvia was the CEO, the fundraiser, the choreographer, and the driving force behind this momentous accomplishment. Along the way, she gathered and trained a group of accomplished dancers, educators, administrators, and choreographers. The work of MID continues and remains a living and iconic force in contemporary dance in South Africa today.","PeriodicalId":33525,"journal":{"name":"Creative Arts in Education and Therapy","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Artist Spotlight: A Tribute to the Work of Sylvia Magogo Glasser: Dancer, Dance Educator, Choreographer, Social Activist, and Visionary\",\"authors\":\"V. Speiser\",\"doi\":\"10.15212/caet/2023/9/2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"It is a great honor to offer this article as a tribute to the enduring impact of Sylvia Glasser’s breakthrough accomplishments in promoting dance education and performance in the South African context. This article is based upon interviews with Sylvia, who currently lives in Sydney, Australia, as well as some of her colleagues and former students. In addition, it draws upon writings, websites, and articles that describe her work. I am struck by the humility of this extraordinary and numinous person who has influenced several generations of performers, students, educators, and dancers. She has challenged and broken down stereotypes and barriers during the apartheid years in South Africa and has irrevocably changed the landscape of South African dance with her introduction of the methodology of Afro-Fusion into the dance world beginning in the late 1970s. As the founder of the Moving into Dance Mophatong (MID) Training Program and Dance Company, Sylvia was the CEO, the fundraiser, the choreographer, and the driving force behind this momentous accomplishment. Along the way, she gathered and trained a group of accomplished dancers, educators, administrators, and choreographers. The work of MID continues and remains a living and iconic force in contemporary dance in South Africa today.\",\"PeriodicalId\":33525,\"journal\":{\"name\":\"Creative Arts in Education and Therapy\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creative Arts in Education and Therapy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15212/caet/2023/9/2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creative Arts in Education and Therapy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15212/caet/2023/9/2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
我非常荣幸地发表这篇文章,以表彰西尔维娅·格拉瑟在促进南非舞蹈教育和表演方面取得的突破性成就所产生的持久影响。本文基于对Sylvia的采访,Sylvia目前居住在澳大利亚悉尼,以及她的一些同事和前学生。此外,它还借鉴了描述她的作品的著作、网站和文章。我被这位非凡而神秘的人的谦逊所打动,他影响了几代表演者、学生、教育工作者和舞者。她在南非种族隔离时期挑战并打破了刻板印象和障碍,并从20世纪70年代末开始将非洲融合的方法引入舞蹈界,不可逆转地改变了南非舞蹈的面貌。作为Moving into Dance Mophatong(MID)培训项目和舞蹈公司的创始人,Sylvia是首席执行官、筹款人、编舞家,也是这一重大成就背后的推动力。一路上,她聚集并培训了一群有成就的舞者、教育工作者、行政人员和编舞家。MID的工作仍在继续,至今仍是南非当代舞蹈中一股活生生的标志性力量。
Artist Spotlight: A Tribute to the Work of Sylvia Magogo Glasser: Dancer, Dance Educator, Choreographer, Social Activist, and Visionary
It is a great honor to offer this article as a tribute to the enduring impact of Sylvia Glasser’s breakthrough accomplishments in promoting dance education and performance in the South African context. This article is based upon interviews with Sylvia, who currently lives in Sydney, Australia, as well as some of her colleagues and former students. In addition, it draws upon writings, websites, and articles that describe her work. I am struck by the humility of this extraordinary and numinous person who has influenced several generations of performers, students, educators, and dancers. She has challenged and broken down stereotypes and barriers during the apartheid years in South Africa and has irrevocably changed the landscape of South African dance with her introduction of the methodology of Afro-Fusion into the dance world beginning in the late 1970s. As the founder of the Moving into Dance Mophatong (MID) Training Program and Dance Company, Sylvia was the CEO, the fundraiser, the choreographer, and the driving force behind this momentous accomplishment. Along the way, she gathered and trained a group of accomplished dancers, educators, administrators, and choreographers. The work of MID continues and remains a living and iconic force in contemporary dance in South Africa today.