巴拉圭的音乐与身份:吉他音乐文化中表达的民族、种族和阶级身份

IF 0.2 2区艺术学 0 MUSIC

Journal of the Royal Musical Association Pub Date : 2022-04-04 DOI:10.1017/rma.2022.11

Simone Krüger Bridge

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引用次数: 0

摘要

摘要本文重点阐述了Rolando Chaparro的摇滚融合专辑《Bohemio》（2011），音乐在表达巴拉圭民族、种族和阶级认同方面的运作方式。它首先回顾了关于音乐和身份的文献，以及与巴拉圭有关的更具体的文献。然后，它探讨了民族主义和巴拉圭性在民俗“流行”音乐（música popular）中的表达，以及在身份的构建、维护和表达中的raza guaraní（一种基于西班牙语和瓜拉尼族身份的共同祖先的广泛信仰）的概念。最后，它考察了巴拉圭的Agustín Barrios复兴以及巴拉圭吉他音乐文化中人们的阶级意识。

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Music and Identity in Paraguay: Expressing National, Racial and Class Identity in Guitar Music Culture

Abstract This article illustrates, with particular focus on Rolando Chaparro’s rock fusion album Bohemio (2011), the way in which music operates in expressing Paraguayan national, racial and class identity. It first reviews the literature on music and identity generally, as well as more specifically in relation to Paraguay. It then explores expressions of nationalism and paraguayidad (Paraguayanness) in folkloric ‘popular’ musics (música popular) and the concept of raza guaraní (a widespread belief in a common ancestry based on Spanish and Guaraní ethnic identity) in the construction, maintenance and expression of identity. Finally, it examines the Agustín Barrios revivals in Paraguay and people’s class consciousness as it is expressed in Paraguayan guitar music culture.

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来源期刊

Journal of the Royal Musical Association MUSIC-

CiteScore

0.50

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0.00%

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期刊介绍： The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.