拼贴制图

IF 0.3 2区艺术学 0 ART

American Art Pub Date : 2020-09-01 DOI:10.1086/712751

Tatsiana Zhurauliova

{"title":"拼贴制图","authors":"Tatsiana Zhurauliova","doi":"10.1086/712751","DOIUrl":null,"url":null,"abstract":"Beginning in about 1943, the search for a suitable model for capturing the sphere of the Earth on a two-dimensional map grew into an expansive cultural project of imaging space as a dynamic field of strategic information available at one’s fingertips. Whether in periodicals, such as Life and Fortune magazines or the New York Times; specialized publications, such as Look at the World or War Atlas for Americans; or in the galleries of the Museum of Modern Art, Americans were urged to consider cartographic representation as a step to developing a comprehensive yet flexible understanding of global space. This article considers two trends in map production at the time: dynamic fragmentation as a means of communicating the shifting parameters of strategic relationships, and innovative designs that stimulate an active and prolonged perceptual process. Drawing on this evidence, I outline a paradigmatic shift in the American spatial imagination that becomes contingent on the relationship between the map and the beholder. The article offers examples of specific instances of cultural production that were informed by this discursive shift, while also arguing for its lasting effect on postwar American art.","PeriodicalId":43434,"journal":{"name":"American Art","volume":"34 1","pages":"72 - 91"},"PeriodicalIF":0.3000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/712751","citationCount":"0","resultStr":"{\"title\":\"Cartography as Collage/Collage as Cartography\",\"authors\":\"Tatsiana Zhurauliova\",\"doi\":\"10.1086/712751\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Beginning in about 1943, the search for a suitable model for capturing the sphere of the Earth on a two-dimensional map grew into an expansive cultural project of imaging space as a dynamic field of strategic information available at one’s fingertips. Whether in periodicals, such as Life and Fortune magazines or the New York Times; specialized publications, such as Look at the World or War Atlas for Americans; or in the galleries of the Museum of Modern Art, Americans were urged to consider cartographic representation as a step to developing a comprehensive yet flexible understanding of global space. This article considers two trends in map production at the time: dynamic fragmentation as a means of communicating the shifting parameters of strategic relationships, and innovative designs that stimulate an active and prolonged perceptual process. Drawing on this evidence, I outline a paradigmatic shift in the American spatial imagination that becomes contingent on the relationship between the map and the beholder. The article offers examples of specific instances of cultural production that were informed by this discursive shift, while also arguing for its lasting effect on postwar American art.\",\"PeriodicalId\":43434,\"journal\":{\"name\":\"American Art\",\"volume\":\"34 1\",\"pages\":\"72 - 91\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/712751\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/712751\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/712751","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

大约从1943年开始，寻找一种适合在二维地图上捕捉地球球体的模型，逐渐发展成为一项广泛的文化项目，将空间成像作为一个动态的战略信息领域，触手可及。无论是在《生活》、《财富》杂志或《纽约时报》等期刊上;专门出版物，如《美国人看世界或战争地图集》;或者在现代艺术博物馆的画廊里，美国人被敦促考虑将地图表现作为发展对全球空间全面而灵活的理解的一个步骤。本文考虑了当时地图制作的两种趋势:作为沟通战略关系变化参数的一种手段的动态碎片化，以及刺激积极和长期感知过程的创新设计。根据这些证据，我概述了美国人空间想象的范式转变，这种转变取决于地图和观察者之间的关系。这篇文章提供了受这种话语转变影响的文化生产的具体实例，同时也论证了它对战后美国艺术的持久影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Cartography as Collage/Collage as Cartography

Beginning in about 1943, the search for a suitable model for capturing the sphere of the Earth on a two-dimensional map grew into an expansive cultural project of imaging space as a dynamic field of strategic information available at one’s fingertips. Whether in periodicals, such as Life and Fortune magazines or the New York Times; specialized publications, such as Look at the World or War Atlas for Americans; or in the galleries of the Museum of Modern Art, Americans were urged to consider cartographic representation as a step to developing a comprehensive yet flexible understanding of global space. This article considers two trends in map production at the time: dynamic fragmentation as a means of communicating the shifting parameters of strategic relationships, and innovative designs that stimulate an active and prolonged perceptual process. Drawing on this evidence, I outline a paradigmatic shift in the American spatial imagination that becomes contingent on the relationship between the map and the beholder. The article offers examples of specific instances of cultural production that were informed by this discursive shift, while also arguing for its lasting effect on postwar American art.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

American Art ART-

CiteScore

0.20

自引率

50.00%

发文量

期刊介绍： American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.