为皮斯托亚制定新的文化政策议程:艺术家和创意工作者在该地区的当前和未来角色

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
S. Samuk, Y. Tonga, E. Pellegrini, M. L. Catoni
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引用次数: 0

摘要

本文旨在促进人们理解文化和创意产业,尤其是皮斯托亚文化生活的价值化,对主要利益相关者意味着什么,以及他们如何在谈判、筹资过程中建立合作,并根据皮斯托阿的战略文化计划优先考虑文化生产/体验/消费。艺术家和创意工作者对战略计划的需求、优先事项和关注点是什么?政策制定者的目标以及艺术家和创意工作者的想法在多大程度上是平行和分歧的?探索性的过程追踪旨在对皮斯托亚的当地艺术家和其他利益相关者进行半结构化的深入采访,以观察规划并确定过去和现在的障碍。此外,参与该项目的研究人员通过Tavolo Permanente della Cultura跟踪城市文化政策决策的进展,并参与参与者观察。我们认为,艺术家和政策制定者认为合作的方式可能多种多样,但未来有足够的合作空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Developing a new cultural policy agenda for Pistoia: The current and projected role of artists and creative workers in the territory
This paper aims to promote an understanding of what cultural and creative industries in general, and valorisation of Pistoia’s cultural life in particular, mean to the main stakeholders and how they establish the collaboration during this process of negotiation, fundraising and prioritising the cultural production/experience/consumption according to the strategic cultural plan in Pistoia. What are the needs, priorities and concerns of the artists and creative workers regarding the strategic plan? To what extent are the policymakers’ aims and the ideas of the artists and creative workers parallel and divergent? Explorative process tracing that aims at semi-structured in-depth interviews are conducted with local artists and other stakeholders in Pistoia to observe the planning and to determine the past and current obstacles. Furthermore, the researchers involved in the project are engaged in participant observation as they follow the developments on how the decision-making takes place regarding cultural policies in the city through the Tavolo Permanente della Cultura. We argue that the modality in which artists and policymakers think of collaboration might be diverse but there is ample room for collaboration in the future.
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