{"title":"在罗伯特·莫林的《Le negg》中，口头的作用和任何死去的人都是痛苦的","authors":"P. Gauthier","doi":"10.3828/QS.2018.15","DOIUrl":null,"url":null,"abstract":"The general goal of this article is to shed a new light on the role of orality in two of Robert Morin’s productions, Le neg’ (or The Negro in English, released in 2002) and Quiconque meurt, meurt a...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Role of Orality in Robert Morin’s Le nèg’ and Quiconque meurt, meurt à douleur\",\"authors\":\"P. Gauthier\",\"doi\":\"10.3828/QS.2018.15\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The general goal of this article is to shed a new light on the role of orality in two of Robert Morin’s productions, Le neg’ (or The Negro in English, released in 2002) and Quiconque meurt, meurt a...\",\"PeriodicalId\":36865,\"journal\":{\"name\":\"Quebec Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Quebec Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/QS.2018.15\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quebec Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/QS.2018.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Role of Orality in Robert Morin’s Le nèg’ and Quiconque meurt, meurt à douleur
The general goal of this article is to shed a new light on the role of orality in two of Robert Morin’s productions, Le neg’ (or The Negro in English, released in 2002) and Quiconque meurt, meurt a...
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
