重塑原始:艾的《Nwokedi》中的人血仪式与权力诱惑

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
A. Abba
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引用次数: 1

摘要

摘要许多对艾西亚巴·伊洛比的《Nwokedi》持批评态度的人认为,该剧描绘了一种恐怖和非理性的氛围,这反映了伊洛比对“狂欢邀请”(伊格尔顿)的迷恋,认为这是他后殖民时代尼日利亚压迫性政治领导层的灵丹妙药。然而,除此之外,在他对权力的痴迷中,主人公恩沃克迪自己也像雪球一样变成了恐怖的对象,这一立场还没有得到充分的检验。为了进一步反思这一点,本文将黑格尔的自由理论与酒神的非理性神话联系起来,作为考察恩沃克迪权力讽刺态度的范式。它在剧中质疑权力的诱惑和重塑原始人类血缘仪式的尝试。恩沃克迪的积极变态行为,与政客的剥削经济学相矛盾,导致了死亡驱动,迫使其情人在法律和个人欲望之间的对立“最戏剧性地被打破”的时候享受人类毁灭(伊格尔顿)。本文认为,如果被施了魔法的仪式革命家同时成为神和反叛者、法官和亡命之徒、独裁者和无政府主义者,他同样会陷入那种既任性又悲惨的孤独之中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reinventing The Primordial: Human Blood Ritual and the Lure of Power in Esiaba Irobi’s Nwokedi
ABSTRACT Many critics of Esiaba Irobi’s Nwokedi have contended that the play portrays an atmosphere of terror and irrationality, which reflects Irobi’s fascination with an ‘invitation to orgy’ (Eagleton) as the panacea to the oppressive political leadership in his postcolonial Nigeria. Beyond this observation, however, the position that in his obsession with power, Nwokedi, the protagonist snowballs into an object of terror himself has not been fully examined. Seeking to further this point of reflection, this paper engages the Hegelian theory of freedom in relation to the Dionysian myth of irrationality as a paradigm for examining the ironical attitude of power in Nwokedi. It interrogates the lure of power and the attempt to reinvent primordial human blood ritual in the play. Nwokedi’s positive riot of perversity, set against a politician’s economics of exploitation results in the death-drive that commands its beholder to relish human annihilation at that point where the opposition between law and personal desire is ‘most dramatically dismantled’ (Eagleton). The paper concludes that if the enchanted ritual revolutionist becomes at once deity and rebel, judge and outlaw, autocrat and anarchist, he equally plunges headlong into that solitude which is both self-willed and tragic.
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CiteScore
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