尼日利亚一些艺术流派雕塑实践中的后现代主义考察

IF 0.1 0 ART
R. Kalilu, A. Oladugbagbe
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引用次数: 0

摘要

后现代主义,一个西方的艺术概念,影响了尼日利亚艺术学校的雕塑实践。雕塑因此变得非常主观,因为学生使用后现代主义来避免学习古典雕塑原则。因此,本研究考察了尼日利亚艺术学校雕塑中的后现代主义,以期找到将后现代主义融入尼日利亚艺术学校实践的方法。该研究使用了2010年至2021年间在三所艺术学校进行实地调查收集的数据。在三所艺术学校观察到的89件后现代雕塑中,随机选择了9件(10%)进行形式分析。研究结果表明,在艺术学校所在的社会文化条件和地理条件下,对发现物品的探索和雕塑的制作引发了主题更深层次的概念意义,已经成为一种常态。结论是,后现代主义可以融入尼日利亚艺术学校的雕塑培训中,而不会根据古典和艺术的原则和价值观阻碍知识和技能的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Examination of Postmodernism in Sculptural Practices in Some Nigerian Art Schools
Postmodernism, a Western artistic concept, affects sculptural practices in Nigerian art schools. Sculptures are consequently getting extremely subjective as students use postmodernism to avoid learning classical sculptural principles. Therefore, this study examined postmodernism in sculpture in Nigerian art schools with a view to finding ways by which postmodernism can be incorporated into practice in Nigerian art schools. The study used data collected through field research at three art schools between 2010 and 2021. Nine (10%) out of 89 postmodern sculptures observed in the three art schools were randomly selected for formal analysis. The findings indicate that the exploration of found objects and the production of sculptures that provoke deeper conceptual meanings of subjects have become the norm, triggered by the socio-cultural conditions and geography in the art schools’ locations. It is concluded that postmodernism can be incorporated into sculptural training in Nigerian art schools without inhibiting the development of knowledge and skills according to classical and artistic principles and values.
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