在一个超越耻辱的世界里，耻辱的景象

IF 0.4 2区艺术学 N/A THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-09-01 DOI:10.1017/s1054204323000266

Keren Zaiontz

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引用次数: 0

摘要

对乌克兰的全面入侵导致了俄罗斯新闻自由的刑事定罪和对独立记者的欺凌，例如对该国最重要的报纸编辑之一德米特里·穆拉托夫的红漆袭击。油漆袭击属于一系列战时场景，这些场景流畅地使用了“假”血液，其主要参与者不是克里姆林宫的亲信，而是反战抗议者。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Spectacles of Stigma in a World Beyond Shame

The full-scale invasion of Ukraine brought with it the criminalization of the free press in Russia and the bullying of independent reporters, exemplified by a red paint attack against Dmitry Muratov, one of the country’s foremost newspaper editors. The paint attack belongs to a cluster of wartime scenarios that make fluid use of “fake” blood and whose primary actors are not Kremlin cronies but antiwar protestors.

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance