承认妇女工作是创造性工作

Q2 Arts and Humanities
K. Pearlman, Adelheid Heftberger
{"title":"承认妇女工作是创造性工作","authors":"K. Pearlman, Adelheid Heftberger","doi":"10.17892/APP.2018.0006.124","DOIUrl":null,"url":null,"abstract":"Vorwort zur Ausgabe 6:  Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":"{\"title\":\"Recognising Women’s Work as Creative Work\",\"authors\":\"K. Pearlman, Adelheid Heftberger\",\"doi\":\"10.17892/APP.2018.0006.124\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Vorwort zur Ausgabe 6:  Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)\",\"PeriodicalId\":36127,\"journal\":{\"name\":\"Apparatus\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-08-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"9\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Apparatus\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17892/APP.2018.0006.124\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Apparatus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17892/APP.2018.0006.124","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 9

摘要

第6集:剪辑台上的女性:修正20世纪20年代和30年代的苏联电影史。(图片:Leeanna Walsman饰演的斯维洛娃,在《坐在编辑台上的女人》中创作一个序列©2016 The Physical TV Company)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Recognising Women’s Work as Creative Work
Vorwort zur Ausgabe 6:  Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Apparatus
Apparatus Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
18 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信