“房间”中的风险:在伦敦劳合社保险市场架构中谈判新经济范式

IF 0.2 4区 艺术学 0 ARCHITECTURE
Amy Thomas
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引用次数: 0

摘要

今日摘要Richard Rogers + 伦敦劳埃德保险公司的合伙人承保室被称为“the Room”,被公认为高科技运动的象征,其现代化通过交叉的自动扶梯和高耸的十二层中庭进行了审美化。然而,仔细观察,这种内部结构代表了一种不太令人满意的妥协。该会议室是与一家有三百年历史的机构进行多年长期谈判的产物,其构思正值风险概念和保险市场基础因环境危机、技术创新和全球金融放松管制而发生转变之际。本文认为,通过对房间设计的复杂协商,风险性质的变化得到了缓解,同时要求新的建筑解决方案,同时保留了该机构的空间和面向对象的仪式和神话。它得出的结论是,新房间及其背后的设计过程是一种不确定时代的机构风险管理模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Risk in “the Room:” Negotiating New Economic Paradigms in the Architecture of Lloyd’s of London Insurance Market
Abstract Today Richard Rogers + Partners’ Underwriting Room at Lloyd’s of London—known as “the Room”—is recognized as an icon of the High Tech movement, its modernity aestheticized through intersecting banks of escalators and a soaring twelve-story atrium. Yet on closer inspection, this interior represents a less satisfactory compromise. The product of years of protracted negotiations with a three hundred-year-old institution, the Room was conceived at a moment when the concept of risk, and the foundations of the insurance market, were transformed due to environmental crises, technological innovations and global financial deregulation. This paper contends that the changing nature of risk was mitigated through complex consultations over the design of the Room, simultaneously demanding new architectural solutions, whilst preserving the institution’s spatial and object-oriented rituals and mythologies. It concludes that the new Room, and the design process underpinning it, was a mode of institutional risk management in an age of uncertainty.
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CiteScore
0.30
自引率
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