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IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-09-01 DOI:10.1215/02705346-9052830

K. White

引用次数: 0

摘要

这是对Carolee Schneemann（1939–2019）工作和生活档案的介绍。施尼曼在纽约贾德森纪念教堂举行的追悼会上受到庆祝。这项服务包括马尔科姆·戈尔茨坦的小提琴即兴演奏，名为《卡罗尔的声音》。这份档案中的七篇文章部分来源于在仪式上发表的言论，包括对施尼曼工作和生活的一系列批判性“探听”。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Introduction: Carolee Schneemann (1939–2019)

This is an introduction to a dossier on the work and life of Carolee Schneemann (1939–2019). Schneemann was celebrated in a memorial service at Judson Memorial Church in New York. The service included Malcolm Goldstein's improvisational performance on violin titled Soundings for Carolee. The seven essays in this dossier, derived in part from remarks delivered at the service, comprise a range of critical “soundings” of Schneemann's work and life.

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.