保罗·曼特加扎的愿景:世界第一座人类学博物馆背后的人类科学(佛罗伦萨,意大利,1869年)

IF 0.7 Q3 ANTHROPOLOGY
Paul Michael Taylor, Cesare Marino
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引用次数: 1

摘要

本文考察了意大利早期一些重要但鲜为人知的人类学成就。其中包括世界上第一个人类学博物馆,由Paolo Mantegazza(1831-1910)于1869年在意大利佛罗伦萨(Firenze)建立,同年他还在意大利(以及世界)建立了第一个人类学大学教授职位。曼特加扎试图发展一门统一的“人类科学”,对这门新学科有一个宽泛的定义,把人类生理学、人种学和“比较心理学”的藏品汇集在他的新人类学博物馆里,后来又建立了一个配套的“心理学”博物馆。尽管曼特加扎的佛罗伦萨人类学学派在法西斯主义统治下结束了,但今天幸存下来的佛罗伦萨人类学博物馆仍然是早期意大利旅行者探险家和其他贡献者的重要人种学收藏品的储存库。他们的研究是曼特加扎科学的重要组成部分,受到了现代意大利人类学家的新关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

PAOLO MANTEGAZZA'S VISION: The Science of Man behind the World's First Museum of Anthropology (Florence, Italy, 1869)

PAOLO MANTEGAZZA'S VISION: The Science of Man behind the World's First Museum of Anthropology (Florence, Italy, 1869)

This article examines some significant yet little-known early anthropological achievements in Italy. These include the world's first museum of anthropology, founded in 1869 by Paolo Mantegazza (1831–1910) at Florence (Firenze), Italy, where that same year he also established Italy's (and the world's) first cattedra (university professorship) of anthropology. Mantegazza sought to develop a unified “science of man,” with a broad definition of the new discipline that brought together human physiological, ethnographic, and “comparative psychology” collections within his new anthropology museum, later complemented by a companion “psychological” museum. Even though Mantegazza's Florentine school of anthropology ended under Fascism, today the surviving Museum of Anthropology in Florence is still the repository of important ethnographic collections from early Italian traveler-explorers and other contributors. Their study was an important component of Mantegazza's science, which is receiving new attention by modern Italian anthropologists.

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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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