煤炭、钢铁和圣十字:新南威尔士州亨特地区的战后教堂和教堂

IF 0.2 0 ARCHITECTURE
P. Hogben
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引用次数: 0

摘要

本文对20世纪50年代和60年代澳大利亚教堂建设热潮的学术研究做出了贡献。在Lisa Marie Daunt和其他人最近的工作基础上,它将重点放在一个区域位置,作为这个活动的一个值得注意的舞台,并试图理解一些现代教堂和礼拜堂建筑的引人注目的例子背后的力量。由于其发展成为一个主要的采矿和工业制造中心,新南威尔士州的亨特地区成为一个重要的教堂建设的地方。第二次世界大战后,该地区经历了一波教堂建设活动,因为当局希望适应不断扩大的会众和新的宗教领土,特别是在纽卡斯尔郊区的增长地区。本文通过考虑建筑变化和创新的三个方面,考察了战后亨特地区教堂设计和建筑的关键发展:传统形式的简化,新的空间安排的引入,以及通过使用纹理材料创造物理和视觉上丰富的室内环境。围绕这些领域的研究结构清楚地揭示了从保守的现代主义到一系列创新设计的转变是如何发生的。这篇论文认为,这些变化不仅反映了礼仪改革的影响,也反映了增强现代信徒去教堂体验的愿望,而且还需要从对当地建筑实践的赞助转变为对悉尼建筑师的委托来理解,这些建筑师正在为教堂和礼拜堂设计采用新的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Coal, Steel and the Holy Cross: Post-War Churches and Chapels of the Hunter Region, NSW
ABSTRACT This paper contributes to the growing body of scholarly research into the boom in church construction that took place in Australia in the 1950s and 1960s. Building on recent work by Lisa Marie Daunt and others, it focuses on a regional location as a noteworthy arena of this activity and seeks to understand the forces behind the appearance of a number of striking examples of modern church and chapel architecture. Due to its development as a major mining and industrial manufacturing centre, the Hunter region of New South Wales became a place of significant church construction. After the Second World War the region experienced a wave of church building activity as authorities looked to accommodate expanding congregations and as new religious territories emerged, particularly within the suburban growth areas of Newcastle. This paper examines key developments in church design and construction within the Hunter region in the post-war decades by considering three areas of architectural change and innovation: the simplification of traditional form, the introduction of new spatial arrangements, and the creation of physically and visually rich interior environments through the use of textured materials. Structuring the study around these areas clearly reveals how change took place in the transition from a conservative modernism to a range of innovative designs. The paper argues that not only do these changes reflect the impact of liturgical reform and the desire to enhance the church-going experience of modern-day worshippers, they also need to be understood in terms of a shift away from the patronage of established local architectural practices to the commissioning of Sydney architects who were employing new ideas for church and chapel design.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
26
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