流派的层次结构和生命形式的层次结构

Q1 Arts and Humanities

Res: Anthropology and Aesthetics Pub Date : 2020-03-01 DOI:10.1086/711228

Emmelyn Butterfield-Rosen

{"title":"流派的层次结构和生命形式的层次结构","authors":"Emmelyn Butterfield-Rosen","doi":"10.1086/711228","DOIUrl":null,"url":null,"abstract":"to Hollis Clayson, Brigid in the initial phases of re European Paintings at th Shalem offered lovely fo Bryan-Wilson and Mel C sharing ideas that brough Alperin, Cole Gruber, An Sanchez, as well as Mar Wearing for critical feed inspiration and stimulati this essay is dedicated to 1. A. Félibien, Confé sculpture, pendant l’ann 2. R. Cohen, “Histor (1986): 203; M. Barasch in Imago Hominis: Studie The hierarchy of genres and the hierarchy of life-forms","PeriodicalId":39613,"journal":{"name":"Res: Anthropology and Aesthetics","volume":"73-74 1","pages":"76 - 93"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/711228","citationCount":"0","resultStr":"{\"title\":\"The hierarchy of genres and the hierarchy of life-forms\",\"authors\":\"Emmelyn Butterfield-Rosen\",\"doi\":\"10.1086/711228\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"to Hollis Clayson, Brigid in the initial phases of re European Paintings at th Shalem offered lovely fo Bryan-Wilson and Mel C sharing ideas that brough Alperin, Cole Gruber, An Sanchez, as well as Mar Wearing for critical feed inspiration and stimulati this essay is dedicated to 1. A. Félibien, Confé sculpture, pendant l’ann 2. R. Cohen, “Histor (1986): 203; M. Barasch in Imago Hominis: Studie The hierarchy of genres and the hierarchy of life-forms\",\"PeriodicalId\":39613,\"journal\":{\"name\":\"Res: Anthropology and Aesthetics\",\"volume\":\"73-74 1\",\"pages\":\"76 - 93\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/711228\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Res: Anthropology and Aesthetics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/711228\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Res: Anthropology and Aesthetics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/711228","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 0

摘要

对霍利斯·克莱森来说，布里吉德在沙莱姆重新欧洲绘画的最初阶段为布莱恩·威尔逊和梅尔·C提供了可爱的机会，他们分享了Alperin、Cole Gruber、An Sanchez以及Mar Wearing的想法，以获得批判性的灵感和刺激。A.Félibien，Confé雕塑，吊坠l’ann 2。R.Cohen，“Histor（1986）：203；M.Barasch在ImagoHominis:Studie流派的层次和生命形式的层次

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The hierarchy of genres and the hierarchy of life-forms

to Hollis Clayson, Brigid in the initial phases of re European Paintings at th Shalem offered lovely fo Bryan-Wilson and Mel C sharing ideas that brough Alperin, Cole Gruber, An Sanchez, as well as Mar Wearing for critical feed inspiration and stimulati this essay is dedicated to 1. A. Félibien, Confé sculpture, pendant l’ann 2. R. Cohen, “Histor (1986): 203; M. Barasch in Imago Hominis: Studie The hierarchy of genres and the hierarchy of life-forms

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts

自引率

0.00%

发文量

期刊介绍： Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.