“我们不想成为Netflix”:了解利基流媒体服务的内容获取实践

IF 2.4 2区 文学 Q1 COMMUNICATION
Mike Wayne, M. Sienkiewicz
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引用次数: 5

摘要

本文采用媒体行业研究的方法,研究了三家最近推出的利基犹太/以色列订阅视频点播(SVOD)服务的收购策略和许可实践。根据对高管的定性采访和公开的材料,这项分析认为,这些服务通过传统和创新的许可安排相结合的方式获得电影和电视节目,旨在最大限度地获得资金更充足的平台所不需要的犹太主题或以色列制作的内容。研究结果揭示了访问特定类型内容的方式取决于高管在试图最大限度地利用有限经济资源创造的价值时,利用现有行业特定职业关系的能力。因此,本文通过将电影和电视行业的小众SVOD所采用的许可实践置于背景中,提供了见解,同时也强调了使用主流/小众二进制来理解流媒体分发的局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services
Using the media industry studies approach, this article examines the acquisition strategies and licensing practices employed by three recently launched niche Jewish/Israeli subscription video on-demand (SVOD) services. Drawing on qualitative interviews with executives and publicly available materials, this analysis argues that these services acquire film and television titles through a combination of traditional and innovative licensing arrangements intended to maximize access to Jewish-themed or Israeli-produced content unwanted by better funded platforms. The findings reveal the ways in which access to specific kinds of content is dependent on executives’ ability to leverage preexisting industry-specific professional relationships as they attempt to maximize the value created from limited economic resources. As such, this article offers insights by contextualizing licensing practices being employed by niche SVODs across film and television industries while also highlighting the limitations of using the mainstream/niche binary to understand streaming distribution.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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