“超越表面”:MOPDTK对蓝色的解释学意蕴

Q3 Arts and Humanities
Lukas Gabric
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引用次数: 1

摘要

MOPDTK乐队2014年的专辑《Blue》是迈尔斯·戴维斯标志性的畅销唱片《Kind of Blue》(1959)的精确、音乐的一对一复制。在这个项目中,我认为,虽然蓝色听起来和看起来像爵士乐,但它更像是借用了一个文学例子的概念,在爵士乐的伪装下。蓝色提出了一些问题,这些问题对于理解男性作家、流派和艺术来说是至关重要的。就行为主体而言,问题主要在于意图和原创性。在一般的艺术范围内,我们面临着复制和价值(金钱和艺术)之间关系的问题。蓝色也引起了与质疑体裁假设的作品有关的典型反应。在它最初的接收,许多听众似乎无法自信地放置它,并根据流派对专辑进行分类。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Beyond the Surface”: Hermeneutic Implications of Blue by MOPDTK
ABSTRACT The 2014 album Blue by the group MOPDTK (Mostly Other People do the Killing) is an exact, musical one-to-one reproduction of Miles Davis’s iconic and best-selling recording Kind of Blue (1959). In this project, I argue that while Blue sounds and appears as jazz, it is much rather a conceptual idea borrowed from a literary example, in the disguise of Jazz. Blue raises questions that are central to the understanding of the mens auctoris, genre, and art in general. In regard to the mens auctoris, the question mainly pertains to intent and originality. In the scope of art in general, we are faced with the question about the relationship between replication and value (monetary and artistic). Blue also evoked typical reactions associated with a work that questions assumptions about genre. Upon its initial reception, many listeners seemed unable to place it confidently and categorize the album according to genre.
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来源期刊
Jazz Perspectives
Jazz Perspectives Arts and Humanities-Music
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