天真的乐趣-意识形态的耻辱

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY

Strenae-Recherches sur les Livres et les Objets Culturels de L Enfance Pub Date : 2020-06-15 DOI:10.4000/strenae.4657

A. Helgesen, P. Helgesen

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引用次数: 0

摘要

本文关注的是1924年至1936年期间在奥斯陆国家剧院制作的四部儿童戏剧。这些文本含有种族主义和法西斯意识形态的成分。这种意识形态出现在吉普赛人和愚蠢得可笑的黑人之间看似无害的场景中。1936年的第四部也是最后一部戏剧的文本包含了与国家法西斯党的纲领一致的精心设计的政治信息。两次世界大战期间的儿童戏剧早已被遗忘和隐藏。这种隐秘性使得我们很难分析和理解主流意识形态与儿童戏剧之间的联系。

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Innocent fun – Ideological shame

This article focuses on four plays for children, produced at the National Theatre in Oslo during the period 1924–1936. These texts contain elements of racist and fascist ideology. This ideology emerged in apparently harmless scenes with gypsies and comically stupid Negroes. The text in the fourth and last play from 1936 contains calculated political messages in line with the programme of the national fascist party.Theatre for children in the interwar period has long been forgotten and hidden. Such secrecy makes it difficult for us to analyse and understand the connection between dominant ideologies and drama for children.

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来源期刊

Strenae-Recherches sur les Livres et les Objets Culturels de L Enfance HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

24 weeks