安妮Brontë诗歌中与遗产相矛盾的时空文化反思

IF 0.5 Q3 CULTURAL STUDIES
Krisztina Kodó
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引用次数: 0

摘要

摘要本文考察了安妮·布朗特在1838年至1849年的11年间的诗歌发展。精选的六首诗 – 《北风》(1838)、《蓝铃》(1840)、《致…》(1842)、《夜晚》(1845)、《窄路》(1848)和《最后的线条》(1849) – 强调艺术发展和个人反思的不同阶段,安妮称之为“见证的支柱”。本文的目的是提出一些论点,这些论点困扰着围绕她早逝后的人格所创造的神话。本文将重点分析上述精选诗歌,旨在探索围绕安妮·布朗特创作的遗产如何扭曲作者对其时代的深刻文化反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural Reflections of Time and Space that Contradict a Legacy in Anne Brontë’s Poetry
Abstract This article looks at Anne Brontë’s poetic development within a span of 11 years from 1838 to 1849. The selected six poems – The North Wind (1838), Bluebell (1840), To… (1842), Night (1845), The Narrow Way (1848), and Last Lines (1849) – highlight different stages of artistic development and personal reflection which Anne called the “pillars of witness.” The aim of this article is to present arguments that perplex the myth that was created around her persona after her early death. The article will focus on a close analysis of the above-selected poems aimed at exploring the ways in which the legacy created around Anne Brontë distorts the author’s insightful cultural reflections about her era.
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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