{"title":"沙皇俄国和音乐世界","authors":"Tamsin Alexander, R. Helmers","doi":"10.1017/S1479409822000271","DOIUrl":null,"url":null,"abstract":"Extract The articles in this issue address and illustrate elements that are essential for furthering the current understanding of Russia's embeddedness in the international musical culture of the long nineteenth century: the exchange of musicians and repertoires; the social and political conditions in which these exchanges took place; the range of mediators, from aristocratic patrons to musical professionals; the methods of movement; and the ways in which Russia was imagined and experienced by foreigners.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tsarist Russia and the Musical World\",\"authors\":\"Tamsin Alexander, R. Helmers\",\"doi\":\"10.1017/S1479409822000271\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Extract The articles in this issue address and illustrate elements that are essential for furthering the current understanding of Russia's embeddedness in the international musical culture of the long nineteenth century: the exchange of musicians and repertoires; the social and political conditions in which these exchanges took place; the range of mediators, from aristocratic patrons to musical professionals; the methods of movement; and the ways in which Russia was imagined and experienced by foreigners.\",\"PeriodicalId\":41351,\"journal\":{\"name\":\"Nineteenth-Century Music Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth-Century Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1479409822000271\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth-Century Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1479409822000271","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MUSIC","Score":null,"Total":0}
Extract The articles in this issue address and illustrate elements that are essential for furthering the current understanding of Russia's embeddedness in the international musical culture of the long nineteenth century: the exchange of musicians and repertoires; the social and political conditions in which these exchanges took place; the range of mediators, from aristocratic patrons to musical professionals; the methods of movement; and the ways in which Russia was imagined and experienced by foreigners.
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