埃米尔·扎托佩克在长跑的万神殿:一个体育神话的创造

IF 0.5 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM
Yohann Fortune
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引用次数: 0

摘要

摘要与众多运动员一样,埃米尔·扎托佩克(1922-2000)是那些通过自己的成就和戏剧性的人生轨迹,成功地作为英雄进入集体记忆的人物之一,他们的名字代代相传。在20世纪40年代至50年代之交,当他在赫尔辛基奥运会(1952年)上赢得三枚金牌而出名时,他的表现在体育媒体上广受欢迎,而这个人本人也引发了大众的热情和认同。在冷战的背景下,宣传很快就集中在他身上,引发了一种英雄化的形式,随着时间的推移,这将导致这位冠军目瞪口呆,并创造出至今仍然存在的神话。本文根据20世纪50年代至今与埃米尔·扎托佩克有关的新闻文章、传记、纪录片和宣传作品,以及广告、小说、漫画书和其他文化材料,对体育神话创作中固有的改写过程进行反思,并旨在掌握其任何可能的不变量。从而解释了运动员是如何从冠军身份依次走向英雄身份和神话身份的,并定义了与每种身份相对应的标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emil Zatopek in the pantheon of long-distance running: the creation of a sporting myth
ABSTRACT Like numerous sportspeople, Emil Zatopek (1922-2000) is one of those figures who, through their achievements and dramatic life trajectories, succeed in entering the collective memory as heroes whose names are passed down through the generations. At the turn of the 1940s-1950s, his performances were widely hailed in the sports press when he became famous at the Helsinki Olympic Games (1952) by winning three gold medals, and the man himself gave rise to popular fervour and identification. In the context of the Cold War, propaganda was quick to focus on him, triggering a form of heroisation which would lead, over time, to transfiguring the champion and creating the myth that is still alive today. Based on press articles, biographies, documentaries and propaganda works, as well as on advertisements, novels, comic books and other cultural material related to Emil Zatopek from the 1950s to the present day, this article invites reflection upon the rewriting processes inherent in the creation of the sporting myth and aims to grasp any of its possible invariants. It thus explains how the sportsperson goes successively from the status of champion to that of hero and then myth, and defines the criteria which correspond to each status.
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来源期刊
Sport in History
Sport in History HOSPITALITY, LEISURE, SPORT & TOURISM-
CiteScore
0.90
自引率
37.50%
发文量
29
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