奇怪的方面:女权主义作家安妮·豪格杰德

IF 0.1 0 FILM, RADIO, TELEVISION
Oda Bhar
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引用次数: 0

摘要

这种对女权主义导演Anne Haugsgjerd电影的时间思考,将她在挪威和斯堪的纳维亚电影史上的作品置于背景之中。针对比利时-瑞典电影制作人埃里克·M·尼尔森和玛丽莲·梦露神话等影响,有人认为她的叙事声音结合了脆弱性和开放性。她用一种混合的蒙太奇电影语言表达自己,通常带有幽默、散文主义的画外音。她的古怪手法触及了日常生活的荒谬,以一种类似于米兰达·七月或莱娜·邓纳姆等年轻当代演员/导演的方式暴露了她的个人缺陷。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The wondering aspect: Feminist auteur Anne Haugsgjerd
This chronological consideration of the films of feminist auteur Anne Haugsgjerd contextualizes her oeuvre in Norwegian and Scandinavian film history. Pointing to influences such as the Belgian-Swedish filmmaker Eric M. Nilsson and the mythology of Marilyn Monroe, it is argued that her narrative voice combines vulnerability and open-mindedness. She expresses herself in a hybrid and montage-based cinematic language, often with a humorous, essayistic voice-over. Her quirky approach touches upon the absurdity of daily life, exposing her personal flaws in a manner similar to that of such younger contemporary actors/directors as Miranda July or Lena Dunham.
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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