佛罗伦萨1900知识、保护和规划

Maurizio De Vita
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引用次数: 0

摘要

1972年的联合国教科文组织公约和当代意大利修复宪章都间接提到了20世纪的建筑遗产,考虑到与保护“现代”和“当代”相关的问题的缓慢成熟,只有在上个世纪的最后二十年才导致国际会议,重要协会的创建,世界范围内共享的出版物。对作为联合国教科文组织中心组成部分的许多20世纪建筑的特征、一致性和保护状况的具体反思,必须从系统地了解这些人工制品和城市空间的方式开始。事实上,指导古典建筑修复模式的相同原则需要它们的批判性扩展,意识到20世纪的材料和设计主题与今天的修复选择和技术之间的相互关系。佛罗伦萨20世纪的遗产是广泛的、丰富的,在参考文献、风格和材料的交替方面意义重大,标志着20世纪的建筑史,使这座城市成为一种特殊的现代性“处于危险之中”的仓库,需要仔细的、系统的、最新的保护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Firenze Novecento fra conoscenza, tutela e pianificazione
Both the 1972 UNESCO Convention and the contemporary Italian Restoration Charter make indirect reference to 20th century architectural heritage, given the slow maturation of issues related to the Protection of the "Modern" and the "Contemporary" that only led to international conferences, the creation of important Associations, publications shared worldwide in the last two decades of the last century. A specific reflection on the characteristics, consistency, and state of conservation of the many twentieth-century buildings that are a constituent part of UNESCO Centers must start from the ways of systematic knowledge of these artefacts and urban spaces. The same principles that guide the modes of restoration of classical buildings in fact require their critical extension, aware of the interrelation between materials and design themes of the twentieth century with today's restoration choices and techniques. Florence's 20th-century heritage is extensive, rich in episodes, and significant in the alternation of references, styles, and materials that marked the history of 20th-century architecture and that make this city the repository of a peculiar modernity “in danger” that needs careful, systematic, up-to-date protection.
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