{"title":"声音艺术家对现场录音的历史分解","authors":"Maria Chavez, Kristina Warren","doi":"10.1017/S1355771822000218","DOIUrl":null,"url":null,"abstract":"The conceptual sound artist, turntablist, and curator Maria Chavez muses about storing and accessing sounds. Building on Ursula Le Guin’s concept of the carrier bag, she describes four eras of sound recording and containment.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"41 - 43"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Sound Artist’s Breakdown of Field Recording over History\",\"authors\":\"Maria Chavez, Kristina Warren\",\"doi\":\"10.1017/S1355771822000218\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The conceptual sound artist, turntablist, and curator Maria Chavez muses about storing and accessing sounds. Building on Ursula Le Guin’s concept of the carrier bag, she describes four eras of sound recording and containment.\",\"PeriodicalId\":45145,\"journal\":{\"name\":\"Organised Sound\",\"volume\":\"27 1\",\"pages\":\"41 - 43\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Organised Sound\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1355771822000218\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Organised Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1355771822000218","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
概念声音艺术家,唱机唱机和策展人玛丽亚·查韦斯沉思关于存储和访问声音。以厄休拉·勒奎恩(Ursula Le Guin)的手提袋概念为基础,她描述了录音和收容的四个时代。
A Sound Artist’s Breakdown of Field Recording over History
The conceptual sound artist, turntablist, and curator Maria Chavez muses about storing and accessing sounds. Building on Ursula Le Guin’s concept of the carrier bag, she describes four eras of sound recording and containment.