《文明》小说中对父权制手表的批评,马!。。。Karya Driss Chraïbi

Fina Falahu Sani
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引用次数: 0

摘要

摩洛哥法语文学提出了各种批评,特别是殖民主义和性别问题。Driss Chraïbi是一位摩洛哥作家,他在《文明》一书中调查了这些问题!。。。。这部小说从男性的角度讲述了一位母亲在法国保护国与性别歧视作斗争的故事,后来引起了人们的批评。本文旨在分析小说中对父权话语的批判是如何建构起来的。所使用的方法是定性的,并得到了罗兰·巴特的叙事结构理论、A.J.Greimas的行动方案理论、Gérard Genette的聚焦理论和Gayatri Spivak的后殖民女权主义理论的支持。这篇文章的结果是,对父权话语的批判是通过后殖民话语构建的,后殖民话语利用了“我”这个角色作为年轻一代土著男性的性格,他鼓励运用西方文化来文明女性。现代文明也成为母亲角色的英雄,母亲是一个下级,她成功地实现了自由,减少了父权歧视。尽管如此,由于她与西方的殖民遗产相邻,她的心态和精神状况仍然被殖民。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kritik terhadap Wacana Patriarki dalam Novel La Civilisation, ma Mère !... Karya Driss Chraïbi
Moroccan francophone literature raises various criticisms, especially the issues of colonialism and gender. Driss Chraïbi is a Moroccan writer who investigated these issues in La Civilisation, ma Mère !.... This novel is told from the male perspective of a mother’s struggle in fighting gender discrimination in the French Protectorate, which later gives rise to a critique. This article aims to analyse how the critique of the patriarchal discourse is constructed in the novel. The method being used is qualitative and is supported by Roland Barthes’s narrative structure theory, A.J. Greimas’ actantial scheme theory, Gérard Genette’ focalization theory, and theory of postcolonial feminism by Gayatri Spivak. The result of this article is the critique on the patriarchal discourse is constructed through the postcolonial discourse that utilises the disposition of the “I” character as the indigenous man of the young generation, who encourages the deployment of Western culture to civilize women. Modern civilisation also becomes a hero for the Mother character, which is a subaltern, in her success in realising freedom and diminishing patriarchal discrimination. Nevertheless, her mindset and mental condition are still colonized due to her adjacency to the colonial legacy of the West.
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