宗教改革前后的五条隐形线

Q1 Arts and Humanities

Res: Anthropology and Aesthetics Pub Date : 2022-01-01 DOI:10.1086/720844

Andrew Chen

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引用次数: 0

摘要

该小组的早期现代工作成员，特别是Allison Stielau，也感谢Christoph和Vedran Sulovsky的研究和图像righ学院、剑桥大学和德克萨斯州立大学。1.卡普·乔治·兰姆的雷蒙德（伦敦，卡普阿1号），塞尼斯的伟大传奇人物，ed.当他在晚上看到西尔维娅时，他抬起身体跪在地上。当他站在那里这么长时间时，如果他在那一刻像一个广告人，他早就死了。

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Five invisible lines, before and after the Reformation

Early Modern Work in P members of that group f especially Allison Stielau also grateful to Christoph and to Vedran Sulovsky research and image righ College, Cambridge, and Texas State University. 1. Raymond of Capu George Lamb (London, 1 of Capua], Legenda maio de Senis, ed. Silvia Noce videntibus, corpusculum erexit ac super genua sta Cumque sic diu staret to ac si fuisset quasi letalite quodammodo in instanti eius ad sensus corporeo

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来源期刊

Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts

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期刊介绍： Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.